I
cut myself today.
I
was chopping up some carrots, and the French kitchen knife slipped
and grazed the side my right thumb. (I'm left-handed, which is why it
was not the left thumb that was damaged.) The knife didn't cut very
far, though. It took almost a minute to start bleeding, and the wound
was dressed without a lot of fuss, once I got the bandage unwrapped
with only one hand.
I
should add at this point that I have a reputation for hurting myself
in several small ways (and a few large ones). I have cut myself so
often that the instructions on a Johnson & Johnson Band-aid --
"Tear off end, pull string down"--are now imprinted on my
memory like a mantra. My hands bear numerous scars whose provenance I
can no longer recall. So this sort of experience was nothing new to
me. Indeed, the most remarkable thing is that this one showed every
sign of healing up with no permanent damage at all.
So
if I had been anybody else, this little incident would have been
shrugged off. But I'm different. I was raised on the stories I read
in the Reader's Digest and the Ladies Home Journal and
the Redbook magazines that my mother subscribed to.
(Full
disclosure here: I talked my mother into subscribing to them. The
subscriptions were part of my high school's fundraising drives for
the stadium lights that would illuminate our team's night-time games,
many of which we actually won. The school administration also
probably hoped that the increased illumination would cut down on the
hanky-panky that pubescent students performed under the bleachers.
They were mistaken; if anything, it made the darkness down there even
darker and more inviting by comparison. When not studying, performing
on the field, cheering from the bleachers, and fornicating under the
stands, we students were expected to go door to door, selling
subscriptions to neighbors, but appealing to Mom's maternal instincts
was usually good for at least six magazines even before I left the
house. The trick was to get to her before my brother -- who went to
the same high school -- did.)
These
stories in these magazines usually started with something like "As
the knife/nail/glass went into my thumb/forefinger/toe, I had no inkling that my
life would change forever." They would go on to detail the
diseases the narrator had caught and the nerve damage inflicted, with
the inevitable descent into sepsis, amputation, near death, and
possibly an iron lung or something of the sort. This is not the sort
of narrative that you feed to an impressionable high school freshman
who had already been exposed to an Irish Catholic mother. Irish
Catholics are convinced that disaster is already around the corner,
waiting to pounce. If it's sunny today, it will be sure to rain
tomorrow. (In Ireland, it always rains tomorrow.) If things seem to
be going smoothly, it's only because the Fates have somehow
overlooked you, having been momentarily distracted by their glee in
visiting misfortune on somebody else. Sooner or later, they're sure
to remember their appointment with you.
I
dosed the cut with an antibiotic cream, but I'm not counting on that
very much. That's what everybody in those stories did. It never
helped. Sure, everything feels fine for a day or two, but disaster is
sure to strike. That usually happens by the seventh paragraph, after
they've described in detail their happy family in a wonderful
neighborhood where all the dads are employed in meaningful jobs and
all the moms are home cooking up all the recipes that are found
elsewhere in the magazine (most of them apparently having something
to do with the artful application of Campbell's Cream of Mushroom
Soup). This happy interlude sets up the part where, when the wound
doesn't seem to be healing on schedule, the family decides to take
the victim to the doctor. The doctor expresses concern. He (and in
1962, it's always a he) says comfortingly, "I'm sure that it's
nothing serious, but I'm going to order a few tests anyway. Now just
keep that wound clean and dry and everything will be fine."
Little
does he know. A week later, the victim is back in the doctor's
office, where he unwraps the wound. he examines it. He scowls. More
tests are given. There are injections. The patient is comforted by
the fact that the doctor looks like Doctor Kildare or Ben Casey or
Marcus Welby, and that no doctor who looks like that can possibly
find himself out of his depth. Modern viewers are not so easily
reassured. They were raised on House, and know that even the
most brilliant diagnostician will make three or four wrong diagnoses
as the patient hovers between life and death. But these were simpler
times.
Anyway,
The story inevitably concludes with a hospitalization, usually
accompanied by the aforesaid amputation or a collapse of the immune
system or both. Weeks pass as a grueling re-adjustment is made to the
patient's life-style. Because the magazine is a family publication,
the patient can be counted on to make some sort of recovery, or at
least an adaptation to new circumstances and a renewed appreciation
of the Value of Life. He or she credits doctors, nurses, family
members and friends for their unfailing support and skill. The reader
then turns the page with newfound respect for the medical profession,
and finds an advertisement about the many ways that Heinz ketchup can
enliven your next meat loaf.
I'd
better go change that bandage now. Not that that will help.
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